ABOUT THE SHOW

Hadestown is a modern re-imagining of the Greek myth of Orpheus and Eurydice, set to a jazz and folk inspired soundtrack. Featuring a cast of Gods (Hades, Persephone, Hermes, The Fates) and Humans (Orpheus, Eurydice, The Workers, The Dancers), Hadestown follows two sets of couples (Orpheus & Eurydice and Hades & Persephone) as The Fates push them towards their inevitable ends.

Our production will be leaning into the American Folk aesthetic of the 1940s-60s, with our inspiration being the folk singers and songwriters of that time period: Pete Seeger, Bob Dylan, Joan Baez, and especially Woody Guthrie.

Hadestown is significantly different than other shows that TAG has produced, in a few ways. First, it's a tragedy, which has its own set of challenges on stage. Second, it is a sung-though musical, which means that there is no dialogue...the entire show is sung, not spoken. In many ways it is more similar to an Opera than a traditional musical, in the style of Les Miserables, Evita, or Hamilton.

Hadestown won eight Tony awards in 2019 including Best Musical, Best Director, Best Book of a Musical, and Best Score.

AUDITION DETAILS

If you are interested in auditioning, please complete the form below, or follow this link. Auditions will start at the times listed above, and if you are unable to audition in person but would still like to be considered, please email the Director and we will try to find an option for you. Auditions are open to anyone ages 13-19 (with parents’ permission if under 18). If you audition on either Saturday the 12th or Sunday the 13th, please keep Monday the 14th free for potential callbacks. Monday is ALSO an open audition day, but if we need to call someone back for any reason from Saturday or Sunday, we will call them back on Monday.

Performances are the weekends of Aug 8 and Aug 15, 2025. Tech week will begin Aug 2, and no conflicts will be permitted during tech week leading up to opening night. Regular rehearsal schedule will be Mondays, Tuesdays, and Thursdays with the occasional Saturday as needed, and as much as possible rehearsal schedules will be put out at least 2 weeks in advance. It is vital that you list ALL conflicts you have for the summer up front so that accurate rehearsal schedules can be put together.

• Roles may be adapted to suit the range and abilities of the cast.
• We encourage performers of all backgrounds, genders, ethnicities, and vocal ranges to audition.
• Ensemble roles will offer significant opportunities for featured moments and storytelling.

SONG CALL

For the audition you will be singing from the show. Choose no more than TWO characters below to audition for and prepare both of the cuts for the character(s). Choose one to sing during auditions, you will only sing the other cut if asked. If you are interested in the Fates or the Workers, sing the cut in the key that best matches your vocal range. Tracks will be provided during the audition, but feel free to download and bring the track as a backup.

DANCE CALL

There will be a dedicated dance call for anyone interested in Eurydice, Persephone, The Dancers, or The Workers. Please be ready with clothing that you can move in, and choreography will be taught during audition.

ACTING CALL

Since this is a sung-through musical, there will be no acting or monologue call for this audition. You may be asked to cold-read with a scene partner if you are called back, but nothing is needed for the initial audition.

AVAILABLE ROLES

ORPHEUS

Tenor w/ STRONG Falsetto. A passionate, idealistic musician with an otherworldly voice and unwavering hope. Orpheus is deeply in love with Eurydice and believes his music can change the world. A dreamer and a romantic, he is both vulnerable and determined. Requires strong vocal ability, with a focus on falsetto and emotional depth.

ORPHEUS SONGS

• If It’s True - Beginning to 1:00
• Epic II - Beginning to 1:10

EURYDICE

Mezzo-Soprano/Alto. A resourceful, independent young woman hardened by a life of hardship. Practical and realistic, she longs for stability and safety but is drawn to Orpheus’ optimism and love. Requires strong acting skills to convey a range of emotions, as well as vocal versatility..

EURYDICE SONGS

• Flowers - 1:28 to 2:15
• Wait for Me (Reprise) - 2:45 - 3:10

PERSEPHONE

Mezzo-Soprano/Alto. The magnetic and fiery queen of the underworld, who spends half the year above ground and half below. She is lively, sharp-witted, and conflicted about her role alongside Hades. Requires a strong vocalist with a commanding stage presence and dynamic emotional range.

PERSEPHONE SONGS

• Our Lady of the Underground - 2:23 - 3:28
• How Long - :42 - 1:25

HADES

Bass/Baritone. The powerful and imposing ruler of the underworld. A figure of authority and control, Hades is charismatic yet menacing, commanding loyalty and fear. Requires a strong, resonant voice with gravitas.

HADES SONGS

• His Kiss, The Riot - :58 - 1:35
• Hey Little Songbird - :23 - 1:20

HERMES

Tenor/Baritone or Alto. The charismatic and wise narrator of the story. Hermes serves as a guide for the audience and the characters, bridging the world of the living and the dead. Witty, compassionate, and smooth, with a commanding presence. Requires strong storytelling ability and a dynamic vocal range. Could be played by any gender.

HERMES SONGS

• Road to Hell - 3:41 - 4:36

THE FATES

- (3 roles)
Mezzo-Sopranos/Altos (F3–C5). A trio of narrators who weave in and out of the story, representing fate and inevitability. They are mysterious, playful, and omnipresent, influencing the characters’ actions. Requires strong harmonizing and the ability to work as a tight ensemble. Movement skills are a plus.

THE WORKERS

-(6-8 roles)
Roles for Soprano, Alto, Tenor, and Baritone/Bass, MUST be able to haromonize. The traditional Greek Chorus in the show, the Workers are the primary ensemble supporting the show. The ensemble serves as the heart and soul of Hadestown, representing the workers of the underworld. They provide commentary, texture, and energy throughout the production. Ensemble members should have strong musicality, movement ability, and a willingness to collaborate as part of a team.

THE DANCERS

-(6-8 roles)
A dance ensemble that will act as the emotive parts of the Above and the Below in the show, looking for modern and jazz dance experience or strong dance background. The Dancers will also be used onstage as both stagehands (moving set pieces, placing props) and also as parts of the set itself. These roles are movement/acting only, no singing is required.

AUDITION FORM